FABIO SANDRI

OPENING: 

12 May 2022. Until 04 October.

WHERE: 

MAMbo – Bologna.

Curated by GINO GIANUIZZI

The MAMbo Project Roomreturns to play its role as a thematic container that welcomes, reconstructs, tells and enhances the artistic experiences of the Bolognese and Emilia-Romagna area: from 12 May to 4 October 2022, the space hosts the exhibitionNO, NEON, NO CRY, curated by Gino Gianuizzi, which attempts a narration of the complex, multifaceted, “disordered” history of the neongallery in Bologna. 

Born in 1981 without a project, without strategy, without budget and without predetermined objectives, neon has been a permanent laboratory, a community for artists, critics and curators and a training place for all the people who collaborated with it.

Through the formula of the wunderkammer, the space of the MAMbo Project Room will be inhabited by works in proliferation, a visual accumulation in which to advance with caution, trying to decipher the individual works and to connect them to the artists.
A sort of complex organism, a community that continues to dialogue, discuss, question and strengthen itself through contamination.

NO, NEON, NO CRY includes the works of 51 artists: Aurelio Andrighetto, Alessandra Andrini, Sergia Avveduti, Fabrizio Basso, Francesco Bernardi, Maurizio Bolognini, Ivo Bonacorsi, Anna Valeria Borsari, Domenica Bucalo, Angelo Candiano, Silvia Cini, Gianluca Codeghini, Daniela Comani, Cuoghi Corsello, Maria Novella Del Signore, Nico Dockx, Drifters, Emilio Fantin, Francesco Gennari, Patrizia Giambi, Paolo Gonzato, Gian Paolo Guerini, Nazzareno Guglielmi, M+M, Mala Arti Visive, Eva Marisaldi, Maurizio Mercuri, Dörte Meyer, Giancarlo Norese, Giovanni Oberti, Marco Pace, Paolo Parisi, Chiara Pergola, Alessandro Pessoli, Gianni Pettena, Marta Pierobon, Leonardo Pivi, Premiata Ditta, Marco Samorè, Fabio Sandri, T-yong Chung, Alessandra Tesi, Diego Tonus, Tommaso Tozzi, Luca Trevisani, Massimo Uberti, Maurizio Vetrugno, Luca Vitone, Francesco Voltolina, Wolfgang Weileder, Alberto Zanazzo..

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